Lenné 

Born in Pittsburgh in 1951, Lenné Nicklaus-Ball has devoted her life to art in its many expressive forms. Her creative path began early when, as a child, she was selected to attend Saturday art classes at the prestigious Carnegie Museum of Art. There, she developed a strong foundation in life drawing and representational painting—skills that would inform her landscapes, botanical studies, and portraiture for decades to come.

Nicklaus-Ball pursued her formal education at the Carnegie Institute of Technology before transferring to Bowling Green State University in Ohio, where she earned a Bachelor of Fine Arts in Graphic Design in 1973. Following graduation, she moved to Los Angeles and worked in the graphic design department of a major supermarket chain. In 1976, she returned to Florida to care for her grandparents, who owned a hotel in St. Pete Beach. Together with her brother and sister, she later managed the family business.

While continuing to paint, Nicklaus-Ball became increasingly drawn to Abstract Expressionism, influenced by the works of Jackson Pollock, Willem de Kooning, and Pablo Picasso. In response to a number of commissioned portraits—many of which requested nude representation—she began rendering her subjects in an expressive, abstract style that emphasized gesture, emotion, and form. In the same year, she also began experimenting with gestural abstraction, often integrating neon light elements into her canvases, adding a bold and contemporary edge to her dynamic compositions.

Throughout her career, Nicklaus-Ball has moved fluidly between fine art and craft. In the late 1990s, she found commercial success with her beaded handbags, and soon after began collaborating with a ceramicist, learning techniques in throwing, hand-building, carving, and glazing. Her curiosity for global artistic traditions was further expanded by a 2004 trip to South Africa, where she was inspired by the decorative art of embellished ostrich eggs.

That same year marked a personal turning point with the passing of her beloved grandmother, Peg Nunn, a charitable and fashionable presence in St. Petersburg. In tribute, Nicklaus-Ball launched The P. Nunn Collection—a body of work that reimagined ostrich eggs as surreal, jeweled sculptures. Each egg is adorned with vintage costume jewelry, pearls, feathers, and found objects, transforming them into fantastical vignettes of underwater worlds, masked balls, and dreamlike tableaux that celebrate whimsy and memory.

Nicklaus-Ball’s work has also found a place in public art. Her butterfly sculpture was featured in the Tampa Bay Tour of Turtles and is permanently installed in North Redington Beach. In 2005, she contributed a butterfly sculpture for a special exhibition and auction at the St. Petersburg Holocaust Museum. A year later, one of her large-scale paintings was included in a collaborative art and poetry installation at Tampa International Airport, underscoring her commitment to accessible, community-centered art, and launching her animal prints on HSN in 2009.

Today, Lenné Nicklaus-Ball continues to live and travel and works in St. Pete Beach, Florida, continuing her painting, sculpting, Lenné manages to do commissioned artwork in between traveling around the globe. Much of her artwork are reflects of those experiences exploring the vibrant edge between abstraction narrative and personal history.

My Resume

Education

  • 1973: BFA, Bowling Green State University, Bowling Green, Ohio
  • 1967–1969: Carnegie Mellon University, Pittsburgh, Pennsylvania

Memberships

Past & Present

  • The Morean Arts Center, St. Petersburg, Florida
  • Outdoor Arts Foundation, Tampa, Florida
  • Gulf Coast Iguana Sanctuary
  • Advocate for PETA
  • Advocate for the Humane Society
  • Suntan Art Center, St. Pete Beach, Florida
  • Florida Craft Art St. Petersburg, Florida

Press

“Spirits that move you… they crackle with exuberance”
—Lennie Bennett, Art Critic, St. Petersburg Times, July 2009

“Vibrant, glitzy… big and bold”
—Megan Voeller, Tampa Bay Metro Magazine, June 2009

“Very lively and animated”
—William Zimmer, contributing critic for the New York Times

“Bewildering, bejeweled, bodacious eggs… commemorate by-gone eras… big bands of the 1940s”
—Headley-Whitney.org, April 2008

“Eternally fashionable and perpetually untamed”
—Maggie Kelly, Critic

“Art with attitude… out to grab your attention!”
—Lynn Carson, Critic

“Sensuous sculptures”
—DanvilleMuseum.org, June 2008

“Glittery and glitzy, fashionable and free-spirited”
—Brenda Neugent, GoDanRiver.com, June 2008